Monday, April 27, 2009

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the night of 24. Recalled

Cesar Quispe Ancashino triumphs at international poetry prize


Night April 24, as usual, turned on my computer and I logged on to Messenger considering developments that could be my contacts. Although, as usual, I tend to get some news that are not so rewarding, this time if I had one that made my day.

In recent nights, something not very common, my dear friend of letters and night talks, the poet and artist Cesar "Cholito" Quispe, as we say of affection, began to connect daily. Something very strange was happening, I thought.

That night of 24, his birthday, went for a change, the Messenger. As I settled into my battered and uncomfortable desk, the little light orange and Sonidito, which silently fucked, I was told that someone was communicating with me. I opened the window and saw that it was him. In desperation my window began to embed their messages. I read a few snippets where I called to tell if a website saying it was true or false. Ojeé, obediently, the website where the results were given first prize in the Literary Contest Bonaventure V (version of Poetry), organized by the Universidad de San Buenaventura, Cali, Colombia , who, curiously, he was being the only winner of more than 2463 authors from 23 countries. That felt so great satisfaction for him and for our beloved port "Chimbote" at that time. Lethargy shortly after I told him it was true, he was the sole winner of that award and one million Colombian pesos.

After a little talk about poetry and the satisfaction of being father and writer at a time, made him react and realized we were wasting time talking about cojudeces, among other things.

His desire to go and share the victory with his family and especially with a sick child were so egregious that I could feel in the lines that I wrote. We parted with the conviction soon find our beloved Chimbote and hold up and no power. Meanwhile I stood still turned on the computer, waiting for our friends to let them enter the story, one that made me understand the reason for his assistance, not routine to this that is the Internet ...

Tuesday, April 7, 2009

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writers his works of "Romulo Gallegos"

They remove their works artists from Caracas after claiming political reasons



After claiming political reasons Some writers in Caracas chose to withdraw their works from the prestigious competition "Rómulo Gallegos, Venezuelan novelist and politician who died on April 7, 1969.

In the 15 previous editions bearing the "Premio Rómulo Gallegos International Novel", no writer had wanted to withdraw, on the contrary, know that his work was on the list a privilege, and the fact of becoming a finalist, could be considered an award.

Some authors have expressed their desire not to participate after claiming that they were not there by choice, but because the publisher sent her novels in the competition.

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Writers in limbo forever

died last November one of the gurus of contemporary science fiction, Michael Crichton and this morning we read in The New York Times that the publisher HarperCollins is already in hand two new novels by American writer -one terminated and the other, outlined, which could see light through 2010.

by Cristina Castillon

The first, entitled Pirate Latitudes and set in the seventeenth century Jamaica, fall into the hands of their fans, after a "light" review, to be met the first anniversary of the death of the creator of ER. According to its editor, Jonathan Burnham, signed this document while finishing his latest novel, Next. The second is a technological thriller, trademark of the creator of The Andromeda Strain and Jurassic Park, composed of only a few pages. According

Brunham, "there are notes and indications about the direction that would novel (unfinished) "and that has put the wanted posters black literary high. be valued experience. Both plays could have runs in the United States more than a million copies.

has not transcended the last will literary writer, but is free to ask: Is it permissible to publish posthumous when unpublished texts are rather short and ambitious assistants refried, or grieving widows eager publishers much more?

attacks
The Jackal
Earlier months, the media and viewers were witnessing the fierce battle between heirs of Vladimir Nabokov.'s father Lolita ordered unfinished texts incinerate over three decades later his son and literary agent Andrew Wylie implacable, better known as The Jackal, have sold the best (or more urgent or respectful) bidder. Anagram has taken the upper hand in English and publish The Original of Laura.

If a novel, remained in a drawer, perhaps they should respect the wishes of its author. Not everything is public, not everything is public. Julio Cortázar had that much of his creative work ended in the trash or somewhere in the chest, between the socks, because according to him was not good enough for publication. Not everything is written for be read or rather, not everything is written to be purchased. However, 20 years dégoter his writings.

this month came news of unpublished Roberto Bolaño (The Jackal Strikes) and Arthur Miller. And fans of the late Stieg Larsson Norse From the Cold to sweep the Mediterranean bookstores with Millennium trilogy, tireless in the forums looking for more rumors of a fourth installment, unfinished and buried in a folder under My Documents.

of posthumous works, unpublished, unfinished, or notes written in pencil on the edge of a ticket Caprabo any author of cult best-Sellerés or should be in a museum, but not bookstores. They are a cultural legacy, but sometimes his texts (and voice) are used to sell cars.

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A specter is haunting the English literary world. The ghost is a question. The question is what should be the Roberto Bolaño's posthumous success in the U.S. (and elsewhere).

by Javier Cercas


is a colossal success, which we hear regularly, the latest so far is that 2666-the novel Bolaño-received posthumous last March, the award for best novel published in 2008 given the National Book Critics Circle U.S., having garnered rave reviews and have become a real best seller, all things extraordinary in a country almost shielded from foreign literature. The answers to the ghostly question are certainly varied. I read that the success of Bolaño is due to his untimely death and the fact that is built around a cursed legend and partly false politically persecuted, marginalized literary and addicted to heroin. I read that the success of Bolaño is because in a way Bolaño was an American writer whose literary models are Americans and whose prose works better in English than Castilian. I read that the success of Bolaño is because he has found a large American publisher that has managed to use all those things to make Bolaño a great American success. I have read many answers, but they all produced an embarrassing feeling that have been engineered not only to reduce the merit of the success of Bolaño, which ultimately would have no importance, but to diminish the merit of the work Bolaño, what it does. I confess I do not understand them. There many writers who have died prematurely and surrounded by a legend about damn who have never achieved the success of Bolaño, and is unlikely to succeed. So many writers are somewhat American writers for their literary models are American and have never achieved the success of Bolaño, or is likely to get (what that Bolaño works better in English than Castilian have to explain it better, because and the truth is that it gives a little laugh.) And as for his American publisher, no doubt you are doing a great job, but also did very well his English publisher, and in any case, although the American editor has given Bolaño much, it is impossible that he has given more than he gave his English publisher, which is most important that at least at some point an editor can give a writer: self-confidence, a trust-me it seems that I am not mistaken Bolaño had not previously had.

the ghostly question actually is, I think, a question wrong, the correct answer is perhaps another. I assume that you have all read Bolaño, if you have not read, for once, and without a precedent-it from me: now throw to trash this article, run to the nearest bookstore, break the showcase kicks, "take any book Bolaño and, after paying religiously and showcase book, spend the next few days to read. Then agree with me that maybe the right question is not why Bolaño is successful when you are dead, but why did not he was alive. Of course, 2666-the posthumous work which has described the United States, and elsewhere, is an exceptional novel, but also exceptional Savage Detectives and Distant Star and The Nazi literature in America and his books of tales and all or almost everything he wrote from the time they became an omnivorous machine cutting reality and make it great literature. Some of us hurt boca de decirlo -lo que en honor a la verdad no tiene ningún mérito: para advertir que Bolaño era grande bastaba leerlo-, pero no sirvió de mucho y, aunque al final de su vida gozaba de un fuerte prestigio minoritario, lo cierto es que sus libros nunca le alcanzaron para llevar más que una modestísima vida monástica. Esto, a ratos, me parece triste; miento: me parece una putada tremenda. Pero sólo me lo parece a ratos.

Porque la realidad es que Bolaño conoció en vida un éxito absoluto. Quiero decir que la pregunta fantasmal es una pregunta equivocada y la pregunta que a primera vista parece acertada también es una pregunta equivocada. Todo escritor de verdad sabe que el éxito y el fracaso (o what is usually called success and failure) are illusions: the proof is that they get great writers, good writers, regular writers, bad writers and terrible writers, or put another way: every writer really knows what they are really successful and failure. Cyril Connolly wrote that "the true mission of a writer is to create a masterpiece." There are few writers who get to create, in my opinion, Bolan was one of them experienced the incomparable intensity of writing a masterpiece, but no more than one. Anyone I've known Bolaño knew better than that for a writer there is no success that could even remotely compare to that.

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The Colombian Nobel made it clear from his studio in Mexico that his "work is not published, but writing."



"I know when they are ready to eat the cake I'm baking," he noted Colombian writer .- The Colombian Nobel laureate, Gabriel Garcia Marquez, says he is writing.

"Not only not true, but what is certain is that I do nothing but write," Marquez said in a brief interview published Sunday in El Tiempo newspaper, which asked about recent reports that would never write a book.
From his studio in Mexico, García Márquez said, that "my job is not to publish, but to write."

"I know when they are ready to eat the cake I'm baking," said the Nobel in reference to which only he knows when to expect or 'ready to eat' the writing that makes or 'baked'.

In late March the Chilean newspaper La Tercera published statements of the literary agent Carmen Balcells in Barcelona, \u200b\u200bpublished by the Nobel laureate, saying "suspected" Garcia Marquez would write.

"I think García Márquez will not write anymore, and is a client that represents 36.2% of revenue" from the publisher, Balcells told the Chilean newspaper, referring to Carmen Balcells Literary Agency.

The writer, 81, and winner of the Nobel Prize for Literature in 1982, he published his latest book "Memories of My Melancholy Whores" in 2004, told Time.

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The mysterious world of the Fairies


popularly known Fairies are fantastic and ethereal creatures, usually personified beautiful female form, which are protective in nature, the product of imagination, tradition or belief and belonging to the fabulous world of elves, gnomes, leprechauns, mermaids and giants that gives color to the legends and superstitions of all ancient peoples. It can cause contact with them developing the ethereal vision according to the legends. HADA

The word derives from the Latin "fata" or "Fatum: fate, destiny", which means destiny, fate, oracle, prediction .... There is a belief that a fairy is a creature that can influence the fate of mortals, with the foresight of future events.

In medieval stories, fairies are often related with incantations and spells, familiar with the power and virtues of the words, legends and herbs, which allowed them to stay young and beautiful, and accumulate great wealth.

According to legend, the fairies have the ability to mutate or change its appearance. Usually they choose to present the human form. Others, however, prefer the plants, making flowers and trees.

usually reside in the thick woods, because that is where they are surrounded by all these wild flowers and colorful so striking that both are happy and are attracted. But this is not the only place where fairies can establish their residence, since it is said that about ours, in our homes, the fairies can be, too, making our lives more bearable, thanks to the positive energy that we provide, and we channel it and externalize it to others. In addition, the fairies, in a sense, one might say, found in every room and control everything, even the elements, ranging from the most complex to the simplest such as air, fire, water and

land, they say, this will change in appearance is a remarkable effort and a major consumer of energy, so if you take the size of a large being can not keep it long. This is why most fairies, if they have to change shape, prefer a small body. Although not all have this quality, some are so small they can not be resized.

Although these stories and legends of fairies seem to remain only for the conviction of a few, in history there are examples of celebrities who believed firmly in the existence of these beings.

early twentieth century. Sir Arthur Conan Doyle , writer and creator of Sherlock Holmes character difunsió their beliefs about the stocks of these fantastic creatures in the wake of a photograph taken by some girls at that age where they looked different tale flying. Many

photography experts studied these photographs and the most renowned and have found the slightest hint of falsification or assembly.

Conan Doyle was amazed by these pictures, and used it to illustrate a second article published in the Strand Magazine. The following year he even published a book, The coming of the fairies ( The return of the fairies ) which realizes a number of appearances of fairies.

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Philosopher's Stone is a substance as believers in alchemy would have extraordinary properties, such as the ability to transmute metals into gold vulgar, there are two types of stone: the red, capable of transmuting base metals into gold and white, the use of these transforms base metals into silver. The red is obtained using the dry method, the white through the wet, in both cases the starting element is iron pyrite.

The philosopher's stone or elixir of life was something eagerly sought after and coveted because it was supposed magical powers, not only to get the gold but to cure some diseases and to grant immortality. For the production of gold is looking for a material to facilitate the mixture of mercury and sulfur because it was assumed that this was the right path. From this mixture would find the noble metal. These two aspects are related, a feature of gold is that it oxidizes more slowly than other metals, ie the gold is "immortal" so if they found out how to become golden from, maybe you could make the poor body mortal become immortal.