THE WORLD, Monday, September 28, 2009
Edgar Gamboa and Oscar López share exhibition space at Envigado Two looks,
monumental art paintings, sculptures and monumental works projects shows Oscar Lopez (pictured) at the Auditorium Marie Poussepin, a series of works based on the concept of spaces and planes bimorph of Light created by him.
monumental art paintings, sculptures and monumental works projects shows Oscar Lopez (pictured) at the Auditorium Marie Poussepin, a series of works based on the concept of spaces and planes bimorph of Light created by him.
Tracking news Marie Poussepin Auditorium houses these days pictorial-sculptural works of Oscar Lopez and sculptures of Edgar Gamboa, two works that reflect lives dedicated to the artistic. The generous space
Auditorium Marie Poussepin in Envigado, is on display until mid-October the pictorial and sculptural works Óscar López and sculptures, mostly monumental Edgar Gamboa, two artists who have built a long path through charged with meaning construction. In the first part of the exhibition are the works of Oscar Lopez in which are reflected various stages of their visions and artistic work but framed in Space and Light Plans bimorph. There, the artist unveils 14 projects that have been working and waiting some time to see embodied in monumental works that will meet various venues around the city. Of these 14 projects he has some in models and explains one of them as follows: "The [project] that we have here is two meters by two meters, is a maze made up of four sides with a sculpture sculptures functional or playful which is a central stage, is 26 and has relief in the form of a labyrinth passageways where children can ride a bike, walk, no is for cars, there are some parts where trees can be planted. It is very fun because children can play and ride in these reliefs, is part of water, represented in the culture Augustine moyas that relate to religion, there are water sources and there are water lilies where children can jump. On the other hand, presents a proposal for a symbol that Torre called the Amerindian and arises from the fact that Paris has the Eiffel Tower, but in this case the project is based on the Latin American context. This tower would be part a first plane that could have office space, then would a glass pyramid inside hollow hosts a sculptural figure which aims to become a museum or art gallery, in the same way as the Eiffel Tower, this structure has stairs so people can climb through it and have access to spaces like restaurants that would be at the top of the structure . For the design of this proposal, Oscar Lopez returns to pre-Columbian elements like the moon, the sun, the arches and legs abstractions. On the other hand, through his paintings the artist presents two stages of work as on the side of the room is a series of works revolving around the culture of death, represented by the presence of 'Stars black 'and on the other side are works that keep many elements of that first job but are loaded with light and color, which represents life and the evolution of his work. In both pictorial series can appreciate the presence of some elements of his sculptural work, even when working as painting, remains the essence of a sculptor and in fact work this way also generates other satisfactions as for example during the opening of the exhibition a Blind asked his permission to play their works and to get closer to his art.
The sculptures, mostly using the technique of monumental wrought iron cold welding are the specialty of the artist Edgar Gamboa. On the other hand, a series of sculptures far exceeding human height are on another side of the auditorium, there was Mary Help of Christians, Christ, Juan Valdés, among others represent a compilation of work for many years has made the sculptor Edgar Gamboa, who is inspired by everyday life and the advantages that the technique of cold-wrought iron welding provides. Although these works are in spaces in the city of San Javier Metrocable, Campo Valdés, the church Santa Maria de los Dolores de El Poblado, one of his works, the exhibition is represented by a model, is perhaps the best known and that many years ago gave him international recognition, this book is entitled "Children of Villatina" and is located in the Park of the Journalist in the center of the city. On his approach to art and his training as a sculptor, Edgar Gamboa says, "I met the master Justo Arosemena and started working with him in public, he retired from advertising and devoted himself to sculpture and said, 'Edgar I'm closing the advertising agency, if you want to accompany me to the shop ', as I was the oldest of the company, and I said' ready Justo 'and that started with him. I never had professional studies, my academic was next to Don Justo Arosemena was a teacher, friend, patron, a world to me, even now meets in October and died 9 years when he died at my life I was patriotic before him and after him. From him I learned his art and now I have a workshop in La Ceja because their children support me to make large sculptures. "
Auditorium Marie Poussepin in Envigado, is on display until mid-October the pictorial and sculptural works Óscar López and sculptures, mostly monumental Edgar Gamboa, two artists who have built a long path through charged with meaning construction. In the first part of the exhibition are the works of Oscar Lopez in which are reflected various stages of their visions and artistic work but framed in Space and Light Plans bimorph. There, the artist unveils 14 projects that have been working and waiting some time to see embodied in monumental works that will meet various venues around the city. Of these 14 projects he has some in models and explains one of them as follows: "The [project] that we have here is two meters by two meters, is a maze made up of four sides with a sculpture sculptures functional or playful which is a central stage, is 26 and has relief in the form of a labyrinth passageways where children can ride a bike, walk, no is for cars, there are some parts where trees can be planted. It is very fun because children can play and ride in these reliefs, is part of water, represented in the culture Augustine moyas that relate to religion, there are water sources and there are water lilies where children can jump. On the other hand, presents a proposal for a symbol that Torre called the Amerindian and arises from the fact that Paris has the Eiffel Tower, but in this case the project is based on the Latin American context. This tower would be part a first plane that could have office space, then would a glass pyramid inside hollow hosts a sculptural figure which aims to become a museum or art gallery, in the same way as the Eiffel Tower, this structure has stairs so people can climb through it and have access to spaces like restaurants that would be at the top of the structure . For the design of this proposal, Oscar Lopez returns to pre-Columbian elements like the moon, the sun, the arches and legs abstractions. On the other hand, through his paintings the artist presents two stages of work as on the side of the room is a series of works revolving around the culture of death, represented by the presence of 'Stars black 'and on the other side are works that keep many elements of that first job but are loaded with light and color, which represents life and the evolution of his work. In both pictorial series can appreciate the presence of some elements of his sculptural work, even when working as painting, remains the essence of a sculptor and in fact work this way also generates other satisfactions as for example during the opening of the exhibition a Blind asked his permission to play their works and to get closer to his art.
The sculptures, mostly using the technique of monumental wrought iron cold welding are the specialty of the artist Edgar Gamboa. On the other hand, a series of sculptures far exceeding human height are on another side of the auditorium, there was Mary Help of Christians, Christ, Juan Valdés, among others represent a compilation of work for many years has made the sculptor Edgar Gamboa, who is inspired by everyday life and the advantages that the technique of cold-wrought iron welding provides. Although these works are in spaces in the city of San Javier Metrocable, Campo Valdés, the church Santa Maria de los Dolores de El Poblado, one of his works, the exhibition is represented by a model, is perhaps the best known and that many years ago gave him international recognition, this book is entitled "Children of Villatina" and is located in the Park of the Journalist in the center of the city. On his approach to art and his training as a sculptor, Edgar Gamboa says, "I met the master Justo Arosemena and started working with him in public, he retired from advertising and devoted himself to sculpture and said, 'Edgar I'm closing the advertising agency, if you want to accompany me to the shop ', as I was the oldest of the company, and I said' ready Justo 'and that started with him. I never had professional studies, my academic was next to Don Justo Arosemena was a teacher, friend, patron, a world to me, even now meets in October and died 9 years when he died at my life I was patriotic before him and after him. From him I learned his art and now I have a workshop in La Ceja because their children support me to make large sculptures. "
0 comments:
Post a Comment